Elvis Presley biography
Deejay and promoter Bob Neal became the trio's manager (replacing Scotty Moore). Moore and Black left their band, the Starlight Wranglers and, from August through October 1954, appeared with Presley at The Eagle's Nest. though others deny it was Denny who made that statement.
Country music promoter and manager Tillman Franks booked Presley for October 16 on KWKH-AM's Louisiana Hayride. Before Franks saw Presley, he referred to him as "that new black singer with the funny name". During Presley's first set, the reaction was muted; Franks then advised Presley to "Let it all go!" for the second set. House drummer D.J. Fontana (who had worked in strip clubs) complemented Presley's movements with accented beats. Bill Black also took an active part in encouraging the audience, and the crowd became more responsive.
According to one source, regarding Presley's engagements from that time, "Audiences had never before heard such music... or seen anyone who performed like Presley either. The shy, polite, mumbling boy gained self-confidence with every appearance... People watching the show were astounded and shocked, both by the ferocity of his performance, and the crowd's reaction to it... Roy Orbison saw Presley for the first time in Odessa, Texas: 'His energy was incredible, his instinct was just amazing... I just didn't know what to make of it. There was just no reference point in the culture to compare it.'" Sam Phillips said Presley "put every ounce of emotion ... into every song, almost as if he was incapable of holding back."
By August 1955, Sun Studios had released ten sides, credited to "Elvis Presley, Scotty and Bill," all typical of the developing Presley style which seemed hard to categorize; he was billed or labeled in the media as "The King of Western Bop," "The Hillbilly Cat" and "The Memphis Flash."
On August 15, 1955, "Colonel" Tom Parker became Presley's manager, signing him to a one year contract, plus renewals. Several record labels had shown interest in signing Presley and, by the end of October 1955, three major labels had made offers up to $25,000. On November 21, 1955, Parker and Phillips negotiated a deal with RCA Victor Records to acquire Presley's Sun contract for an unprecedented $40,000, $5,000 of which was a bonus for the singer for back royalties owed to him by Sun Records (Presley, at 20, was officially still a minor, so his father had to sign the contract). By December 1955, RCA had begun to heavily promote its newest star, and by the month's end had re-released all of his Sun recordings.
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